Cambridge Opera Journal. Opera Quarterly. Conducting research on operatic characters including their age, back story, and specific knowledge can reveal information about their motives, feelings, and decisions. Burkholder, J. A History of Western Music. New York: Norton, G87 Reference. Taruskin, Richard. The Oxford History of Western Music. T28 Stacks or Online. Composer biographies are found in the ML section of the library and they are ordered alphabetically.
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Just browse by composer's last name! Here are two examples:. Budden, Julian. Puccini: His Life and Works. P89 B83 Stacks or Online. Rushton, Julian. All scores are found on the basement-level of the library in the M section. Beware of differences between various editions. Scholarly editions of scores contain critical notes to support decisions made about editorial markings in the score.
The scores in each call number area below, are organized alphabetically by the composer's last name for easy browsing. University of Toronto Libraries St. George St. Tell us about a web accessibility problem.
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Toggle navigation. This short, curated list of resources will help you get started on role study research. Language Research It is important to be able to understand the libretto of a foreign-language opera. Example: Da Ponte, Lorenzo. M D52 Liner notes to sound recordings are available at the circulation desk, and often include extended essays providing historical context. Examples: Collins Robert French Dictionary. Encyclopedias: Grove Music Online. Production Research Studying different performances of a work can assist you in making interpretative decisions about the performance of opera.
Media Commons provides a variety of in-library media playback facilities for individual and group use. Medici TV Medici. Currently, it offers streaming access to more than , CDs with more than 1,, tracks of both standard and rare repertoire. Over new CDs are added to the library every month. Berlin Philharmonic Digital Concert Hall Features live concerts in high definition along with hundreds of full-length archival recordings, performances, interviews, and documentaries.
Books: Boldry, Richard. E93 Stacks Opera Magazines and Journals: The most recent issues are on the open shelves right beside the reference desk, alphabetical by title.
Opera Pages 1 - 50 - Text Version | PubHTML5
Character Research Conducting research on operatic characters including their age, back story, and specific knowledge can reveal information about their motives, feelings, and decisions. History Textbooks are a great source for background information. G87 Reference Taruskin, Richard. Luciano Pavarotti. Any subject is good for opera if the composer feels it so intently he must sing it out. Gian Carlo Menotti. Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.
Andrea Bocelli. Directing an opera is similar to directing a play. The singing must not get in the way of the drama. Bruce Beresford. Going to the opera, like getting drunk, is a sin that carries its own punishment with it. Hannah More. I don't mind what language an opera is sung in so long as it is a language I don't understand.
I have always believed that opera is a planet where the muses work together, join hands and celebrate all the arts. Franco Zeffirelli.
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Opera: Home. Music Librarian.
Kent Underwood. Email Me. Contact: Bobst Library, 2nd Floor Subjects: Music. Make Your Own Opera! Play these games for a fun, educational time!
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Opera Quizzes. Free Opera Downloads! Introduction to Opera The Guide to Opera Once one of the world's most prominent forms of entertainment, opera is still alive and relevant today.
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